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| Reihe | University of Texas Press |
|---|---|
| ISBN | 9780292746978 |
| Sprache | Englisch |
| Erscheinungsdatum | 01.01.1998 |
| Größe | 215 x 155 mm |
| Verlag | Univ of Chicago behalf of University of Texas |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen gpsr@mare-nostrum.co.uk |
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns-namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta BrÜckner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.
| Reihe | University of Texas Press |
|---|---|
| ISBN | 9780292746978 |
| Sprache | Englisch |
| Erscheinungsdatum | 01.01.1998 |
| Größe | 215 x 155 mm |
| Verlag | Univ of Chicago behalf of University of Texas |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen gpsr@mare-nostrum.co.uk |
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