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| Reihe | Utah State University Press |
|---|---|
| ISBN | 9780874214352 |
| Sprache | Englisch |
| Erscheinungsdatum | 01.04.2002 |
| Größe | 228 x 155 mm |
| Verlag | Univ of Chicago behalf of UP Colorado |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen Libri GmbH Europaallee 1 | D-36244 Bad Hersfeld gpsr@libri.de |
What happened to the bold, kicky promise of writing instruction in the 1960s? The current conservative trend in composition is analyzed allegorically by Geoffrey Sirc in this book-length homage to Charles Deemer's 1967 article, in which the theories and practices of Happenings artists (multi-disciplinary performance pioneers) were used to invigorate college writing. Sirc takes up Deemer's inquiry, moving through the material and theoretical concerns of such pre- and post-Happenings influences as Duchamp and Pollock, situationists and punks, as well as many of the Happenings artists proper.
With this book, already a cult classic, began a neo-avant-garde for composition studies. Winner of the Ross W. Winterowd Award for most outstanding book in composition theory.| Reihe | Utah State University Press |
|---|---|
| ISBN | 9780874214352 |
| Sprache | Englisch |
| Erscheinungsdatum | 01.04.2002 |
| Größe | 228 x 155 mm |
| Verlag | Univ of Chicago behalf of UP Colorado |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen Libri GmbH Europaallee 1 | D-36244 Bad Hersfeld gpsr@libri.de |
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