The New Physiognomy

Face, Form, and Modern Expression

von Rochelle Rives

264 Seiten, Hardcover

Kurzbeschreibung des Verlags

A fascinating new study of the face, form, and history of expression.Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people.Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W. H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.

• Themen: Biographie, Literatur und Literaturwissenschaft Geschichte und Kritik Literaturwissenschaft, allgemein 1900 bis 2000
• ISBN: 9781421448374
• Sprache: Englisch
• Erscheinungsdatum: 09.04.2024
• Größe: 229 x 152 mm
• Verlag: Johns Hopkins University Press