Remixing Wong Kar-wai

Music, Bricolage, and the Aesthetics of Oblivion

von Giorgio Biancorosso

240 Seiten, Taschenbuch

Kurzbeschreibung des Verlags

Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong's cinema to retheorize musical borrowing, appropriation, and repurposing. Wong's irrepressible penchant for poaching music from other films-whether old Chinese melodramas, Hollywood blockbusters, or European art films-subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss's concept of bricolage, Biancorosso contends that Wong's borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong's modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond.

• Themen: Gesellschaft und Sozialwissenschaften Gesellschaft und Kultur, allgemein Gesellschaftliche Gruppen, Gemeinschaften und Identitäten Ethnic Studies / Ethnizität
• ISBN: 9781478031178
• Sprache: Englisch
• Erscheinungsdatum: 07.01.2025
• Größe: 229 x 152 mm
• Verlag: Duke University Press