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| Reihe | Transcript |
|---|---|
| Themen | Biographie, Literatur und Literaturwissenschaft Geschichte und Kritik |
| ISBN | 9781781885123 |
| Sprache | Englisch |
| Erscheinungsdatum | 14.02.2022 |
| Größe | 250 x 175 mm |
| Verlag | Legenda |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen Libri GmbH Europaallee 1 | D-36244 Bad Hersfeld gpsr@libri.de |
There is nothing funny about comedy in Renaissance France. Comic theatre in the sixteenth century was employed, primarily, as a tool for teaching Latin; it was also judged to be a canny means of enriching and elevating one's national literature and language. Increasingly, comedy was transformed into a political and polemical weapon, capable not only of resisting the influx into France of the forward-looking and fashionable Italian culture, but also of helping to replace the Italians as arbiters of European literature. In this intertextual and cross-cultural survey, Lucy Rayfield explores the productive and at times antagonistic relationship of French playwrights with Italian paradigms, documenting the move from classical comedy regarded as a scholarly exercise to drama revived in print and performance, which was anything but a smooth transition.Lucy Rayfield graduated with a doctorate from Balliol College, University of Oxford, in 2019. She is currently a Research Associate in Renaissance French at St Benet's Hall, University of Oxford.
| Reihe | Transcript |
|---|---|
| Themen | Biographie, Literatur und Literaturwissenschaft Geschichte und Kritik |
| ISBN | 9781781885123 |
| Sprache | Englisch |
| Erscheinungsdatum | 14.02.2022 |
| Größe | 250 x 175 mm |
| Verlag | Legenda |
| Lieferzeit | Lieferung in 7-14 Werktagen |
| Herstellerangaben | Anzeigen Libri GmbH Europaallee 1 | D-36244 Bad Hersfeld gpsr@libri.de |
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